Why some Smallville fans want to see the show in line with DC Continuity (my opinion)

In response to the discussion that Jim and Sean had in Episode 148 during their “Legion” discussion, I wanted to give my opinion on why a fan might want to see Smallville fall in line with DC continuity. I’ve talked about this in reference to Chloe (in my October 12, 2008 blog post) and how she could possibly fit into the DC Universe without compromising the character that has been solidified on the show.

My solution was simple: make Smallville a part of the DC Multiverse, allowing the introduction of original characters and recognition of the events that have sometimes stumped long-time comic book fans that could not get past the changes made by the show’s creative team simply because “that wasn’t how it really happened.”

And Sean honestly asked a good question. Why does Smallville need to be part of continuity as opposed to being considered its own work?

Let me try to answer this question the best way I know how, as someone who has watched the show from the very beginning. One of the best proponents of the show has been the re-imagining of the Superman mythology for a new generation. They introduced Clark Kent and Lex Luthor as friends, created the characters of Chloe Sullivan and Lionel Luthor—two characters who were at times more popular than some of the more established and storied characters on the show—and asked quite a few of those “what if” questions. And isn’t that the basis for the Multiverse in the first place?

It seems to me that people either like Smallville or they don’t. Those who don’t most often cite reasons like “it’s not supposed to happen that way” and “the real Clark Kent would never do that.” Exactly. As part of the Multiverse, the changes in events and the changes in Clark Kent’s (and others’) characters can be justified. It’s not like there’s not any room at the Inn.

Trust me, I would still like to see Smallville used as a jumping off point for a new movie franchise, though the reasons are completely different (the thought of Tom Welling in tights is plenty reason for me). But at the same time, movies aren’t the same as having a connection with the source material and having a hand in creating that source material. In a way, including Smallville in the Multiverse creates a sense of justification for all the people who stuck with the show for however many seasons it ends up lasting. It says that we’re thinking outside the box and coming up with new possibilities for stories. And when it comes down to it, using the show as a jumping off point for the new movie franchise can only create so many stories. Including it in the Multiverse though, would open up a whole new realm of possibilities for stories, especially since the show’s producers have taken to introducing so many new characters from the DC universe in recent years. They might not be able to swing getting a young Bruce Wayne, Hal Jordan, or Princess Diana on the show right now because of movie rights and other legal issues, but that wouldn’t be a problem if the Smallville universe was a bona fide part of the Multiverse.

Agree? Disagree? Have Comments or Questions?

By Mandy Stegall

Timestamp: Monday, January 12, 2009, 7:04 p.m.

I have a real purpose for making sure everyone knows when I’m writing this entry. A short time ago, I saw the preview on Newsarama.com for Final Crisis #6. And now all I can think is…wow, if that’s the first five pages, I’m genuinely stoked for what the rest of the issue holds. And even as I finished reading the preview, I tried in vain to click to the next page, knowing that I could click it all I wanted but would not get to see the next pages until the blessed comic book arrived in my mail box, hopefully by Friday. Let’s just hope that I have it by the time you read this, and that I haven’t lost hope and started searching around the Internet for spoilers on what happened. Yes, it has me that excited.

It’s all about the Legion right now, isn’t it?

That part about the stars aligning for Jimmy Olsen back in October was a coincidence, right? Well, it looks like it’s happened again. We just experienced the amazingness that is Geoff Johns’ “Legion” episode (no, it hasn’t actually aired at the time that I’m writing this, but come on…it’s Geoff Freaking Johns), the final issue of The Legion of Super-Heroes (issue #50) hits newsstands in a couple weeks, Adventure Comics, starring the Legion, will be dropping soon…I think you get the point.

It’s interesting to me that a team book is losing its title, but gets this kind of a push. The “Legion” episode, the re-booting of Adventure—we can even talk about Legion of 3 Worlds and all the recent appearances in Action Comics if we wanted.

Personally, I like all these pushes DC seems to be giving to its properties and how they’re stretching it beyond the comic books themselves. Even before the Smallville episode airs, there is talk about a possible Legion live-action spin-off series, which would fit in nicely should this truly be the last season of Smallville.

A Call for Suggestions

Anyone who has been reading this column from the beginning, or has at least read the introduction, knows that my love affair with comics is fairly new. Most of the trades I have are of fairly recent story arcs, with the exception of some Superman trades from around the time of Y2K.

So here’s my call: Suggest some reading to me. What are some of the definitive trades or collected editions in the DC Universe? Please, suggest anything and everything. I’m ready to broaden my horizons.

You can e-mail your suggestions, comments, or questions to me at gutterlife@gmail.com

Thanks again for reading.

If I could go on a Tangent for a moment…

More specifically, let’s talk about Tangent: Superman’s Reign. When this maxi-series started earlier this year, I picked it up on a whim. I had no prior knowledge of the Tangent Universe and what it was all about. I had just started reading monthlies, and frankly the reason I was drawn to it was because Superman’s name was on it.

But I picked it up, not sure what to expect. I was more than a little thrown to see the Tangent version of the Flash, wearing a pink suit with a yellow sunburst on the front, as well as names like Lori Lemaris and Harvey Dent.

One of the most enjoyable parts of this series has been seeing the back-up story, or the “History Lesson,” as it has been called, told by a seemingly unassuming techie by the name of Guy Gardner. Honestly, I don’t even want to call it a back-up story, because it’s been just as pleasurable as the main story. And for someone who began the series with absolutely no knowledge of the Tangent Universe, the second story in the book was vital to my understanding of the Universe as a whole.

The Tangent counterparts of the New Earth heroes (and, in some cases, villains) has been a great break for me from the DCU. Wait, I think Jim would call this book a “palate cleanser.” Sure, it’s serious and has some trans-universe implications, but it does take place outside the actual continuity of the DCU, and therefore is a nice book to read right after a heavy book such as Final Crisis.

I don’t know that I will actively search out past stories in the Tangent Universe, but this is definitely a case where I took a chance on a book that I had absolutely no prior knowledge about and it has paid off for me in the long run. I look forward to reading The Superman’s Reign every month, and from the way events are starting to fall into place, it appears as if I will be left very satisfied.

Inspired by comments in Episode 144

Sean and Jim had some interesting comments that caught my attention during their conversation about Renee’s part in Final Crisis: Revelations. I liked seeing her being brought in as possibly being involved with a team during issue #4. But instead of having her in the type of book you suggested (a spy, espionage-type book), I wonder how she might possibly fit in as a part of the new Justice League group being formed by James Robinson. My understanding of the book at this point is that this Justice League, headed by Hal Jordan, is intended to be more of a pro-active group. And now that we see that Renee has fully embraced her role as the Question and is working so hard in Revelations to help fix the situation, I can see her accepting a situation once again where she is dependent to certain degrees on a team once again. Doing so would mark a period of closure and healing for her character, since she has been burned so much in the past when she has put her trust in others.

And plus, any way we can see her character on a monthly basis would be a good thing. I’m still holding out for a solo series, but I would settle for Renee’s Question on a team.

New Format

One of the hardest parts of doing this blog once a week, (or so) is that I sometimes have a hard time picking just one topic to write about on here. And when I can’t narrow it down, I tend to put off writing anything at all. So to keep that from happening, I’m going to attempt writing about two or three topics a week. Sure, it might mean that you see me write about Smallville more often, but at least it will be shorter in length.

And if anyone ever has any questions, comments, or just wants to hear (or in this case, read) my opinions on a certain book, you can email me at gutterlife@gmail.com.

By Mandy Stegall

Celebrity Death Match: Geoff Johns vs. Mark Millar

It seems that both of these guys want to pen a Superman movie. Good for them. I’m dying to see a new one, whether it’s Brandon Routh, Tom Welling, or any other new phenom to get in the tights and spit curl his hair.

But if Superman Returns did nothing else, it reinforced the Superman fans’ love of the traditional mythology when it comes to the movies. Lois Lane is the spunky reporter with the hots for Superman, not a thirty-something emo with a five-year-old Superman love child. Simply said, the fans don’t want a re-imagining; they want the same kind of “hell yeah” moments that brought in $1 billion for The Dark Knight last summer.

The two biggest names that have come across the wire with interests in writing a new Superman movie are Mark Millar (of Wanted fame) and Geoff Johns, the current god of anything and everything Superman and DC in general. Mark Millar’s experience with the Superman character extends as far as Superman: Red Son, an Elseworlds tale. And Johns, well, the turn around of the Superman titles in the last couple years is largely due to his run on Action Comics. And I’m sure we’re all strongly anticipating his Superman: Secret Origin miniseries coming up in 2009.

Millar has said in various interviews that his vision for a Superman movie is a darker tale, much like his Red Son story. Sorry, but as interesting as Red Son might have been, it’s not the Superman people want to see. I want Kansas, Clark Kent, the Daily Planet, Lois Lane, Jimmy Olsen, Perry White, Lex Luthor, and the Big Blue Boy Scout in all his Kryptonian farm boy glory.

Johns is so in tune with the Superman universe right now, one might think that he actually is Superman. He certainly is the Superman of DC Comics right now. He said this week in an interview on MTV.com that he “would love a crack at Superman.” My only question at this point is why the head honchos at Warner Bros. haven’t already made an official announcement. What are they waiting for? Johns is the Holy Grail.

I liken the idea of Millar writing a Superman movie to Joe Quesada being hired to write a live-action Wonder Woman movie. The obvious questions about character familiarity have to be raised. Character research would certainly be involved, but I personally would feel a whole hell of a lot better handing a franchise the size of Superman over to someone who already has inside-out knowledge of the character and RESPECTS what Superman is all about. Suggesting a departure from the traditional Superman formula suggests that it no longer works. But frankly, we all could use a couple heroes like Superman. Do us all a favor, Millar: stick with Marvel.

By Mandy Stegall

I’m totally ripping off this idea from a column on Newsarama

Sorry Vaneta Rogers, who wrote an op/ed column about the absence of Twilight comic books, for ripping off your story idea. But, I tend to disagree with you.

First off, it should be noted that I am more than just a little obsessed with the Twilight Saga. I read the first three books in less than two weeks, worked a midnight release party for Breaking Dawn at our local Waldenbooks (owned by Borders) in which I was tempted to start reading even when I got home at 2 in the morning, and proceeded to read the final chapter in three days time. I bought my tickets for the Twilight movie three weeks ago, and I’ve been counting down the hours all week. It’s like Harry Potter all over again.

So why isn’t Twilight a comic book yet? Good question. Rogers pointed out that Twilight is a Warner Bros. film and that Warner Bros. also owns DC Comics, so it would be easy for them to throw the story of Edward and Bella into a comic book, maybe on the Wildstorm imprint.

Uh, no.

Here’s my issue. Twilight just isn’t meant for the comic medium. Sure, the people who read the series are already avid readers and would readily pick it up and find themselves in comic shops. But would the product really live up to the books in quality, and would it be able to capture the same tone of the book? I don’t think so. I have a fear that a Twilight comic book would attach the likenesses of Robert Pattinson and Kristen Stewart, who play Edward and Bella, respectively, to the characters. Don’t get me wrong—I think both characters are very talented and great choices for the movie versions of the characters. But at the same time, part of the magic of reading a novel is creating your own image of a character. And I honestly can’t see a comic version of Edward topping the one I’ve created in my imagination.

And anyways, these aren’t your father’s vampires. Sure, there are some exciting action scenes toward the end, but these are fun-loving vampires—vegetarians, as they call themselves. They refuse to eat human flesh and be monsters, instead choosing to live peacefully among mortals. Doesn’t it seem just a little wrong to have a vampire in comics that doesn’t go on killing sprees?

And the biggest reason of all, in my opinion, is that it will never live up to the novel. A comic book version of Twilight will undoubtedly make changes to the script in order for it to work better in the medium. If it has to be changed, then it just shouldn’t be done at all. A Twilight comic done poorly would only enrage die-hard fans of the series, me included.

Here’s where I agree with Vaneta Rogers, though. In the Twilight universe, there are plenty of untold stories about the pasts of the various vampires and werewolves. If anything, those are the stories to be told in comics. The ones before Bella arrives on the scene—and as the Cullen family is still forming—are the ones most likely to succeed in the comic medium. The vampire family of the Cullens and the werewolves of the Quileute tribe have a lengthy and rocky past, and that would make for some interesting storytelling.

Stephenie Meyer may be a comic book geek (the many comic references in her books solidify that fact), but I think she knows where to stop the insanity. Hopefully she’ll recognize that Twilight itself doesn’t work in the comic medium and put a kibosh on the whole thing before the idea gets too out of hand.

By Mandy Stegall

Don’t kill me, but…

I’m dreading what happens to my beloved Green Arrow/Black Canary when writer Judd Winick leaves after issue #14, which is out this week. I know his style of writing doesn’t sit well with many comic book readers, but I personally love the way it fits with the Green Arrow family. They are, after all, a bunch of smart @$$ characters, and Winick seems to excel when writing them.

Let’s back-track for a moment. I just started getting my comics from DCBS, but right now I’m only getting them once a month (which is changing soon because I can’t handle only reading comics every four weeks) and just got issue #13 in the mail this past week, even though it’s been almost a month since it was released. It ended up in the middle of my pile—which was quite large, in my opinion—but the minute I read it I realized I should have maybe saved it for last except for all the New Krypton books I had to read.

The books toward the bottom of my read pile are usually my favorites and the ones I think are the best right now. Still being new to the concept of having a pull list and everything that goes along with it, the books I read tend to rotate in and out as I figure out what I enjoy the most. But GA/BC? That book has been on my pull list from the very beginning, and I have never even considered bumping it from my list. It really is that good.

Sure, the hunt for Connor Hawke seemed to go on FOREVER, but it was entertaining at times. After all, the search gave us Dodger. I’m looking forward to seeing where he could possibly fit into the DCU in the coming months and if the writers will take advantage of the character and everything he has going for him. I mean, here’s a guy from across the pond in his early 20s, has a thing for Mia, and seems to have seen the light when it comes to fighting for the good guys. Ollie and Dinah probably couldn’t have found Connor if not for Dodger, so I hope he doesn’t get shipped off someplace never to be heard from again. From the sound of it, Mia isn’t going to be seen as much in GA/BC now that Connor is safe so she might find her way back to the Teen Titans with Dodger following behind her.

I’m also interested to see where they take the whole situation with Connor. Apparently he has no memory of being a crime fighter in addition to his newfound invulnerability. If I dropped a knife on my foot, I’m pretty sure that I would be in some extraordinary pain. Ollie and Dinah even looked like they were feeling his pain. Too bad he wasn’t feeling it. The upcoming solicitations promise that we’ll be amazed at what he can do now, and that it’s an after effect of his abduction by the League of Assassins. I wonder if he’s been changed so much that he finds himself on the wrong side of the law. It might make for some interesting storytelling if Green Arrow and Black Canary’s newest and worst villain is the person who knows them best.

By Mandy Stegall

Repairing the comic book stigma

Think about when you meet someone new and mention that you read comic books. Do you get the “oh, you’re one of them” looks? Personally, I get the look from a person that tells me they just diminished my IQ in their minds by about 30 points. To these people, comic books are those ten cent books where the heroes are from some distant planet and can never do wrong. And to them, the readers of comic books are either 10-year-old boys or grown men who work at the local Quik-E-Mart and spend half their salaries monthly just to keep up with their childhood pastime.

I walked into my first full-time job teaching English this year with a goal. In some way, I was going to teach a comic book in one of my classes. I had no idea which one, or how I was going to do it, but at least I had a goal. I didn’t shy away from my comic book love with my students—I even took a couple of duplicate issues I had and put them up on my “personality board” and shouted it from the rooftops that I read comics on a regular basis. But ultimately, my first attempts to connect with my students in such a way went sour and they didn’t take what I was trying to teach them (an excerpt from Scott McCloud’s Understanding Comics that is in our textbook) seriously. And really, it’s too bad because most of my students seem to gravitate toward anything that has pictures. I had a cool activity lined up for them in conjunction with the reading from the book, but we ended up not doing it because of the way they acted those first couple days.

It was my former student teaching advisor who made the comment about people diminishing your IQ once they find out you read comic books. And when she said that, it was the first time I was able to put a finger on that look that I get. And of course, the people who give you those looks like you have no life and totally and completely obsess over every little bit of the comic universe are the ones who have never picked up a comic book in their lives. See, the truth is that I used to be one of those people. I was all over the TV shows and movies, but I couldn’t see myself getting involved in comic books. And we all know how that turned out.

And now I’m trying my hardest show people that comic book fans are just as smart and astute as those who read the latest mystery novels. After all, aren’t most comic books mystery novels with pictures? My students are currently working on a mythology poster project. In the past, they could only choose from actual Greek/Roman/Norse/African/Egyptian mythological characters or legends like the Loch Ness Monster or Bigfoot. But I stepped it up for them. Now, they can also choose from “popular culture characters that have been in existence for at least 30 years who have an established mythology.” They caught on immediately and started choosing characters like Batman, Superman, and Spider-Man. And now, I’m excited to see what kind of information they come up with since they have to find two book sources in addition to Internet sources.

I think what I’m most concerned with is that people understand that comic writers and artists have to be some of the hardest workers in the entertainment industry. I have a great deal of respect for the work they do and the timely manner they do it in. And honestly, some of the stories I get from comic books are most interesting and intriguing than what I find in a traditional novel.

By Mandy Stegall

Comic book TV

I know I just talked about Smallville last week, but since it was recently announced that Kelly Souders and Brian Peterson have “The Graysons” in development, I felt the need to take a look at the subject of comic book TV in general.

Of course, the old Adventures of Superman show in the 1950s was great. I can’t say that I own the seasons or have spent oodles of time analyzing them, but the writers, and the actors, got it right in the context of the time frame in which they operated.

And then, we get the Batman series from the 1960s and the Wonder Woman show from the 1970s. Honestly, I’ve seen more of the Batman show than Wonder Woman. I think Adam West and Lynda Carter are still trying to recover from overdosing on campy television. We sure know their careers never recovered completely, though Adam West still takes advantage of his former status whenever he can.

I’m not even sure the Superboy series from the late 1980s deserves mention. The few episodes I watched didn’t hold up over time, simply because it looked like the production company was more interested in exploiting the big S more than it was interested in picking talented actors, coming up with good scripts, and making the effects look believable for the late 80s. The Flash was actually a good series, but it got absolutely no backing from CBS, who constantly was shuffling the show within the TV schedule and forbidding it from getting a good following. I will say that John Wesley Shipp doesn’t make a good Barry Allen to me though, and that the Flash costume looked more felt-like and snuggly than the sleek and vibrant red that I normally relate with the Flash.

This paragraph is dedicated to Birds of Prey and will last about as long as the show itself.

Most people remember Lois and Clark. Good show for the relationship aspect of those characters, but not so much when it came to the villains. I also believe that the producers let DC push them around too much when it came to what they could and couldn’t do on the show. Of course, DC made them put off the wedding, which turned out to be the one thing that was keeping the show interesting in the first place. Once they were married, there was a collective bye-bye wave to the romantic tension and therefore any purpose for the show.

I don’t think I need to talk too much about the success of Smallville. Say what you will about how much they’ve changed of the Superman mythology, but the show is on its eighth season and now finally starting to move Clark toward his destiny. The producers have made changed to his history, but none of them have been so drastic as to completely ruin the character and make him unrecognizable. If nothing else, the show is successful because it made the world aware of the awesomeness that is Tom Welling, who has proven to us that not only can he play a dopey Clark Kent, but he can be funny, play the bad guy, look really good without a shirt on, and direct multiple episodes of the show all without ending up on the front page of the tabloids.

I don’t want to make snap judgments about The Graysons yet, since the concept was just announced a couple weeks ago. However, I have to wonder what could be so compelling about a family of trapeze artists. I like the character of Dick Grayson, but I’m of the mindset that a series with him as the central character would work better if he was Nightwing. The failure of Aquaman was a BIG mistake by the CW network executives; I think everyone agrees on that point. There’s just something wrong when an unaired pilot is the most downloaded show on iTunes.

From the popularity of the Green Arrow on Smallville, I would think that the producers would build off the character and give Justin Hartley his own show already. Possibilities for supporting cast are already built in, with the likes of Black Canary, Roy Harper, Arthur Currie/Aquaman, Victor Stone/Cyborg, and Bart Allen/Impulse. And let’s not forget that Oliver is a bit of a ladies’ man at heart – he had a child he didn’t know about as well as cheated on Dinah a number of times before they finally tied the knot. The possibilities to add on to the Justice League are there, as well as guest appearances by Smallville cast members he has built relationships with during his stints on the show.

Regardless, Smallville surviving for eight seasons proves that there is a market for superhero shows on television. The question is whether or not they can be done convincingly and well. I hope so, because I hate writing one sentence paragraphs.

By Mandy Stegall

If it ain’t broke, don’t fix it. But if it works, take advantage of it.

Confession time.

For the first year or so of my comic book obsession, I was completely content with picking up trades and getting my fix that way. And then DC announced something that made me rethink my strategy—Chloe Sullivan was going to start appearing in the pages of Superman. Two days later I was a subscriber to Superman.

By now, we all know that Chloe won’t be appearing in Superman any time soon. And frankly, I’m okay with that considering the watered down version of Chloe that was going to be in the comic. Chloe Sullivan in the comics just doesn’t work, in my opinion, unless she’s chums with Clark. Her character is so clearly defined by her friendship with Clark that it wouldn’t be the same if their history wasn’t part of the continuity.

Say what you will about Smallville creators Al Gough and Miles Millar, but they hit a home run with Chloe. The fact that DC purchased the rights to the character validates my claim. Why else would they do such a thing unless they knew she could be profitable in the future? But I know a way for Chloe to show up in the pages of Superman without messing with her character or her place in Clark Kent’s history.

Chloe Sullivan, meet the Multiverse.

It’s simple. Give the Smallville universe—the one where Chloe is Clark’s best friend, Lois knew Clark in high school, and Jimmy doesn’t like Clark all that much—a place in the DC Multiverse. Last time I checked, there were some Earths not accounted for, so I’m sure TPTB could find a place for all those wonderful versions of the Smallville characters. And when Chloe somehow finds her way to New Earth with the knowledge that Clark Kent is Superman, she can be the character that so many viewers have come to love on Smallville. She won’t have to be Lois’s much younger cousin with a love for journalism who has no kind of relationship with Clark whatsoever. Like I said, Chloe has been such a part of Clark’s life on Smallville that it would be a shame to let the aspects of the show that have worked to go to waste.

And who knows, if introducing the “real” Chloe to the DCU can work, then why couldn’t an ElseWorlds (or Multiverse) version of Smallville that picks up after the end of the TV show work as a comic book, much like what is being done with Buffy the Vampire Slayer, Angel, and Firefly? I guess the point I’m trying to make here is that in its eighth season, the only original characters remaining on the show are Clark and Chloe, and Chloe isn’t even a character from the Superman mythology. For years people have been predicting when she would meet her untimely (or for some people, timely) end, but hasn’t her presence—and the excellent acting by Allison Mack—proven that Chloe Sullivan can have a place in the mythology without compromising what made her so popular in the first place?

By Mandy Stegall

My comic book boyfriend

In all the DC Universe, there are plenty of characters of the male persuasion who could possibly compete for the title of “my comic book boyfriend.” Characters like Superman, Batman, Robin, and the Flash (Wally West). And while all of these characters would certainly be great (their significant others seem to think so), I like to walk a little more on the wild side by possibly gaining the ire of the one and only Wonder Woman.

Yes, I have it bad for Sir Thomas of Cleveland, aka Nemesis. Traditionalists of Wonder Woman comics probably severely dislike me now, citing the Steve Trevor factor and how he and Diana seemed destined to be together for so long. But he had to go off and marry Etta Candy instead, so that ship has sailed.

Enter Nemesis. I have to admit that his reintroduction into the DC Universe rubbed me the wrong way at first. The aversion lasted about five issues (I’m guessing here, as the first few arcs of the rebooted Wonder Woman title have only been read in trade) when Diana and Nemesis are in the carnival gift shop and he openly shows his fan boy love for Wonder Woman.

I’ve read some online about how the Wonder Woman version of Nemesis is different from the Brave and the Bold Nemesis from the 1980s. I ask this next question sincerely, because I honestly don’t know the answer. Was the 80s Nemesis really such a memorable character? My thought is that if he was, he would have been used more than he was, and there wouldn’t have been the need to do a makeover on him before resurrecting him from back issue hell.

Anyway, I digress. I think it was in issue #20 that we got a little glimpse into Sir Thomas’s head, where he talked about not feeling like he deserved Diana. He mentions that his life is all about deception, whereas Diana (though I think he is meaning Wonder Woman specifically, and not his partner, Diana) is the symbol of truth. It was that point that I really, really, really fell in love with Tom Tresser. Until that point, he was all about trying to be a tough guy and showing how he was “the man” in front of Diana (minus the point in time where he was dying from the killer hornets). But this one time, he was a vulnerable character with doubts and feelings. He felt the need to reconcile his past actions with the kind of person he needs to be for her. And that, ladies and gentlemen, is a character trait I honestly don’t see much in comics.

And now, for one last question in regards to Nemesis: When he was bitten by the hornets toward the end of the “Love and Murder” story arc written by Jodi Picoult, he admits to Wonder Woman that he knows she and Diana Prince are one and the same. Now, however, Diana only appears in an affectionate manner as Wonder Woman. If he was aware of her being Wonder Woman, then why would she feel the need to only show up as Wonder Woman to him? Did something happen as he recovering from the hornet attack that made his conveniently forget that he knew this piece of information? I’ve searched all over trying to figure it out, but haven’t been able to find the answer. If you have any wonderful information to share, please email me at gutterlife@gmail.com and share your knowledge.

Next time: What the comic book universe could learn from Smallville.

By Mandy Stegall